Gu Erniang - Unionpedia

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Today, because the inkstone is no longer a functional object, all inkstone artisans have to present themselves as creative artists. Specifically, this talk focuses on the career of Gu Erniang, the most famous female inkstone-maker in the history of the craft, as well as her relationship with her male patrons and collectors. The collaboration between artisans and scholars announced a new social order in which the hierarchy of head over hand no longer predominated. on an unusual woman, Gu Erniang (fl. 1700-1725) of Suzhou, who was more famous than her male kin and colleagues as an innovative inkstone-carver.

Hennes levnadsår är okända, men hon var verksam under i varje fall andra hälften av Kangxi-kejsarens regeringstid (r. 1661-1722). This presentation focuses on one unusual woman, Gu Erniang (fl. 1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver. Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone Gu Erniang was a remarkable woman who thrived in a field dominated by men; she became more famous than her male colleagues.

17. The Social Life of Inkstones: Artisans and Scholars in Early Qing China (A Study of the Weatherhead Easet Asian Institute of Columbia University) by Dorothy Ko at AbeBooks.co.uk - ISBN 10: 0295999187 - ISBN 13: 9780295999180 - University of Washington Press - 2016 - Hardcover 2020-08-12 Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. 2018-06-14 The annual Hu Shih distinguished lecture, 2019 will be given by Professor Dorothy Ko, History, Barnard College.

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Appendix 1: Inkstones Made by Gu Erniang Mentioned in Textual Sources Contemporary to Gu Appendix 2: Inkstones Bearing Signature Marks of Gu Erniang in Major Museum Collections Appendix 3: Members of the Fuzhou Circle Appendix 4: Textual History of Lin Fuyun’s Inkstone Chronicle (Yanshi) Appendix 5: Chinese Texts . Notes Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730s The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

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Qingniang, nee Zou, married into a family known for inkstone carving since the early part of the Qing dynasty. The family.

1700-1724), a case study in the making and circulation of things and knowledge in the high-Qing empire. Contact: dko@barnard.edu] * * * The seminal research of Francesca Bray (1997) and Susan Mann (1992, 1997) on women and domestic work, especially textiles, have inspired a Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's Signed Gu Erniang The even beige-coloured stone intricately carved in low relief with a pair of mandarin ducks amidst foliage, a six-character zhuanshu Gu Erniang had local patrons in Suzhou, of course, one of whom left a note about his dealings with the artist. From his note and those in Inkstone Chronicle, Ko 18th century, China, Limestone, L. 5 1/16 in. (12.9 cm); W. 3 3/4 in. (9.5 cm), Inkstone, Attributed to Gu Erniang (Chinese, active early 18th century May 1, 2017 Gu Erniang was one of the first inkstone makers in China to attach her signature mark on her work, suggesting a heightened respect that Gu Erniang, who functions as the central character of this story, was the leading carver of inkstones in her time, but also an entrepreneur and designer who, Topics: gu erniang, inkstones, limestone, attributed to gu erniang, inkstone, china , qing dynasty, phoenix, design, 17th century, high resolution, ultra high May 10, 2017 Your book shines a light on craftswoman Gu Erniang who became famous for her inkstone-making skills, which were refined between the Your book shines a light on craftswoman Gu Erniang who became famous for her inkstone-making skills, which were refined between the 1680s and 1730s.
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2017-05-10 Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730s. The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage. THE LOCATION OF INKSTONE CARVER GU ERNIANG’S WORKSHOP, INherited from her father-in-law and thus not of her choosing, affirms the age-old recognition that commerce and handicraft are natural bedfellows.¹ Tucked in an alley a stone’s throw from the hustle and bustle of Chang Gate, in the northwestern quadrant of the imperial city of Suzhou, the Gu shop was convenient to merchants from … Gu Erniang, who functions as the central character of this story, was the leading carver of inkstones in her time, but also an entrepreneur and designer who, to use Ko's words, expertly promoted her own brand. Yet, while Gu's artistry and her brand became famous, the details of her life remain hidden. Gu Erniang was one of the first inkstone makers in China to attach her signature mark on her work, suggesting a heightened respect that exceptional artisans like her enjoyed.

Gu Erniang was one of the first inkstone makers in China to attach her signature mark on her work, suggesting a heightened respect that exceptional artisans like her enjoyed. Today, because the inkstone is no longer a functional object, all inkstone artisans have to present themselves as creative artists. on an unusual woman, Gu Erniang (fl. 1700-1725) of Suzhou, who was more famous than her male kin and colleagues as an innovative inkstone-carver. Prof. Ko argued that Gu’s career and fame was enhanced by the professionalization of handicraft trades and the affinities between inkstone-making and epigraphy in the early Qing, and she concluded Gu Erniang, who functions as the central character of this story, was the leading carver of inkstones in her time, but also an entrepreneur and designer who, to use Ko's words, expertly promoted her own brand. Yet, while Gu's artistry and her brand became famous, the details of her life remain hidden.
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17th – 18th centuries) was a famous Chinese inkstone artist who lived during the reign of Kangxi Emperor. She was the daughter-in-law of the famed inkstone artist Gu Shengzhi and married to her colleague Gu Qiming . Artist: Attributed to Gu Erniang (Chinese, active early 18th century) Period: Qing dynasty (1644–1911) Date: 18th century. Culture: China. Medium: Limestone. Dimensions: L. 5 1/16 in.

Personer födda på 1600-talet | 1600-talet – : 1600 | : 1601 | : 1602 | : 1603 | : 1604 | : 1605 | : 1606 | : 1607 | : 1608 | : 1609: 1610-talet – : 1610 Nov 3, 2015 - 清十八世紀顧二娘款鳳紋硯Inkstone with phoenix design Attributed to Gu Erniang (Chinese, active early 18th century) | Qing dynasty (1644 If Erniang had not schemed to cosy up wangyu n mislead him into thinking she is shiyi, wangyu mum will not come knocking at lou manor to see shiyi that fateful morning causing shiyi to be delayed in meeting her mum. Shiyi would hv successfully run away n ErNiang will marry houye as the replacement wife was their top priority. female inkstone carver Gu Erniang (fl.
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Abstract: An inkstone, a piece of polished stone no bigger than an outstretched hand, is an Gender and material culture: the female artisan gu erniang and the craft of inkstone-making in early modern china lecture by dorothy ko, colombia university while we celebrate the sumptuous material culture of chinese empires–the terra cotta soldiers, the silk brocades, or the blue-and-white porcelains–we know almost nothing about the artisans who made them. Artiklar i kategorin "Artiklar med text på förenklad kinesiska" Följande 200 sidor (av totalt 625) finns i denna kategori. (föregående sida) (nästa sida) Dorothy Ko also highlights the craftswoman Gu Erniang, through whose work the artistry of inkstone-making achieved unprecedented refinement between the 1680s and 1730s. The Social Life of Inkstones explores the hidden history and cultural significance of the inkstone and puts the stonecutters and artisans on center stage.

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Accession Number: 1989.99.1a–d Gu Erniang is widely considered to be one of the finest known Qing period inkstone carvers. A native of the Zhuanzhu xiang area of Wumen, modern day Suzhou in Jiangsu province, Gu was born into a family of inkstone carvers, although she was certainly its most famous member and especially noted for her skills in choosing fine stones. This presentation focuses on one unusual woman, Gu Erniang (fl. 1700 – 1725) of Suzhou who was more famous than her male kin and colleagues as an innovative inkstone-carver. Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone-making and epigraphy. A native of Suzhou, Gu Erniang's maiden name was recorded as Zao, and she was probably active during the late Kangxi to Yongzheng periods. Married into a distinguished family of ink stone carvers, she became a carver of ink stones herself, probably after the death of her husband.

Her career and fame, I argue, are enhanced by two developments in the early Qing: professionalization of the handicraft trades as well as the affinities between inkstone Gu Erniang (顾二娘; Gùèrniáng), född okänt år, död okänt år, var en kinesisk bläckstenskonstnär. Hennes levnadsår är okända, men hon var verksam under i varje fall andra hälften av Kangxi-kejsarens regeringstid (r. 1661-1722). This talk by Dorothy Ko (History|Barnard), focuses on the career of Gu Erniang, the most famous female inkstone-maker in the history of the craft, as East Asia Conversation Podcast: Governing the 'Airpocalypse' Insights from China's War on Smog May 18, 2020 kangxi period (1662-1722), inkstone signed gu erniang The base and the shallow rounded sides are carved on the exterior in imitation of basket weave. The top of the oval ink stone is carved with a gently recessed grinding surface enclosed by a finely carved border in imitation of basket weave interrupted by a six-character signature in sunken Signed Gu Erniang The even beige-coloured stone intricately carved in low relief with a pair of mandarin ducks amidst foliage, a six-character zhuanshu inscription carved within a rectangular panel on the left side, the underside carved with a sprig of lingzhi fungus, hardwood box and cover.